Marion and I sit half way up the dune while the boys run in different directions below. The tide is as far out as it will go. In the distance white horses tip and glisten on the water under the crisp line of Raasay and we watch the last families pack up and leave the beach. One has a sledge to pull all the shoes, the wet towels, changes of clothes across the sand. A couple walks ahead of their crying daughter while her protests are carried downwind. Another family peel off their matching wetsuits, deflate their dinghy, and walk inland in order of size. Our older boys have clambered out of sight past the headland. The youngest is near the water burying his truck, digging it up, burying it again. Let’s round them up, I say to Marion then run in deep strides down the dune. The turn‐ups of my jeans, full of sand, are weights bumping against my ankles.… Continue reading The End of the Day
FGTS: JL, in a Q&A back in issue 23 of FGTS you said that the book you wished you’d written was The Metamorphoses by Ovid. In your collection Condition of Fire, you responded to those stories. What draws you to myths and old tales, and how do they interact with our contemporary world?
JL: Life is so fleeting. Beginnings and endings rush past. Human beings are natural storytellers. We have language, we have narrative, we have drawings on cave walls, we have time, we have fire. I had a baby seven months ago, and I can feel the story in her already even before the words take hold. Listening to the tales of the ancients… it is an honour to be able to hear some echo from their minds and beating hearts. It reminds me that we are all connected, that this experience of being human is a shared one. Even when it feels as if life is flashing by, or especially when it is, I draw comfort from the depth of experience of humanity. We repeat ourselves. It is nature, it is what we are. As a species on the verge of collapse, there is much we could learn from the myths and legends of our ancestors. … Continue reading An Interview with JL Williams
By Angie Spoto I am a liquorice woman a fennel creature a saffron thing that doesn’t care for your opinions or your thoughts on the matter or your advice to me because I’m not asking I’m just here reading and that doesn’t mean I want to talk it doesn’t mean I want you in my ear or your fingernail running rogue across the grains… Continue reading Liquorice Woman
Siam’s poem ‘October Skies’ was published in Issue 44, which can be read here. In this video Siam gives some great tips to help get you writing when you’re feeling stuck. How can Twitter bots, Google translate, and Ancient Hebrew come in handy? Watch the video to find out… Siam Hatzaw is a recent graduate… Continue reading Writing Advice from Siam Hatzaw
FGTS: Ryan you recently published a digital pamphlet of poetry and short fiction called Minor Mishaps and you are working on your first full collection, One Man’s Trash. Where does writing start for you? What moves you to write?
Ryan: For me, writing begins at the end – knowing that when you send something creative out into the world, you’re setting up a moment of connection. We all hold these vast private universes inside ourselves, and for the most part our star-maps align, and that’s great, it’s reassuring. But every so often we discover constellations completely unknown, and exploring those uncharted territories can be intimidating and lonely. If you come out the other side with a story to tell, there’s a chance someone listening might say, hey, actually, I’ve been there too – and then this anomaly you thought nobody would ever be able to explain becomes a shared resonance. Being able to create that instant of discovery is really special.… Continue reading An Interview with Ryan Vance